Jujutsu History and Philosophy

Jujutsu, literally meaning the “art of softness”, or “way of yielding” is a collective name for Japanese martial art styles consisting of grappling and striking techniques. Jujutsu evolved among the samurai of feudal Japan as a method for dispatching an armed and armored opponent in situations where the use of weapons was impractical or forbidden. Due to the difficulty of dispatching an armored opponent with striking techniques, the most efficient methods for neutralizing an enemy took the form of pins, joint locks, and throws. These techniques were developed around the principle of using an attacker’s energy against him, rather than directly opposing it, and came to be known as jujutsu.

There are many variations of the art, which leads to a diversity of approaches. Jujutsu schools (ryu) may utilize all forms of grappling techniques to some degree (i.e. throwing, trapping, joint locking, holds, gouging, biting, disengagements, striking, and kicking). In addition to jujutsu, many schools taught the use of weapons.

Today, jujutsu is still practiced both as it was hundreds of years ago, but also in modified forms for sport practice. Derived sports forms include the Olympic sport and martial art of judo, which was developed from several traditional styles of jujutsu by Kano Jigoro in the late 19th century; and Brazilian Jiu-Jitsu, which was in turn derived from earlier version (pre World War II) of Kodokan judo.

Origins

Jujutsu was first developed by Samurai. Fighting forms have existed in Japan for centuries. The first references to unarmed combat arts or systems is in the earliest purported historical records of Japan, the Kojiki (Record of Ancient Matters) and the Nihon Shoki (Chronicles of Japan), which relate the mythological creation of the country and the establishment of the imperial family. Other glimpses can be found in the older records and pictures depicting sumai (or sumo) no sechie, a rite of the Imperial Court in Nara and Kyoto performed for purposes of divination and to help ensure a bountiful harvest.

There is a famous story of a warrior Nomi no Sekuni of Izumo who defeated and killed Tajima no Kehaya in Shimane prefecture while in the presence of Emperor Suinin. Descriptions of the techniques used during this encounter include striking, throwing, restraining and weaponry.

The term “jujutsu” was not coined until the 17th century, after which time it became a blanket term for a wide variety of grappling-related disciplines. Prior to that time, these skills had names such as “short sword grappling” (kogusoku koshi no mawari), “grappling” (kumiuchi), “body art” (taijutsu), “softness” (yawara), “art of harmony” (wajutsu), “catching hand” (torite), and even the “way of softness” (judo) (as early as 1724, almost two centuries before Kano Jigoro founded the modern art of Kodokan Judo).

Today, the systems of unarmed combat that were developed and practiced during the Muromachi period (1333-1573) are referred to collectively as Japanese old-style jujutsu (Nihon koryu jujutsu). At this period in history, the systems practiced were not systems of unarmed combat, but rather means for an unarmed or lightly armed warrior to fight a heavily armed and armored enemy on the battlefield. In battle, it was often possible for a samurai to be unable to use his long sword, for various reasons, and be forced to rely on his short sword, dagger, or bare hands. When fully armored, the effective use of such “minor” weapons necessitated the employment of grappling skills.

Methods of combat (as just mentioned above) included striking (kicking and punching), throwing (body throws, joint-lock throws, unbalance throws), restraining (pinning, strangulating, grappling, wrestling) and weaponry. Defensive tactics included blocking, evading, off-balancing, blending and escaping. Minor weapons such as the tanto (dagger), ryufundo kusari (weighted chain), kabuto wari (helmet smasher), and kakushi buki (secret or disguised weapons) were almost always included in Sengoku jujutsu.

Heritage and philosophy

All Japanese jujutsu schools have cultural indicators that help give a sense of the traditional character of the school.

• The type of keikogi or training suit worn, which is usually plain white, often with a dark hakama (the most colorful uniform might be plain black or the traditional blue of quilted keikogi).
• Lack of ostentatious display, with an attempt to achieve or express the sense of rustic simplicity (expressed in such concepts as wabi-sabi in Japanese) common in many of Japan’s traditional arts.
• The use of the traditional (e.g., Shoden, Chuden, Okuden, Kirigami and menkyo kaiden levels) ranking system, perhaps as a parallel track to the more contemporary and increasingly common dan-i (kyu/dan) ranking.

Japanese culture and religion have become intertwined into the martial arts. Buddhism, Shinto, Taoism and Confucian philosophy co-exist in Japan, and people generally mix and match to suit. This reflects the variety of outlook one finds in the different schools.

Jujutsu expresses the philosophy of yielding to an opponent’s force rather than trying to oppose force with force. Manipulating an opponent’s attack using his force and direction allows jujutsuka to control the balance of their opponent and hence prevent the opponent from resisting the counter attack.

The Japanese have characterized states of mind that a warrior should be able to adopt in combat to facilitate victory. These include: an all-encompassing awareness, zanshin (literally “remaining spirit”), in which the practitioner is ready for anything, at any time; the spontaneity of mushin (literally “no mind”) which allows immediate action without conscious thought; and a state of equanimity or imperturbability known as fudoshin (literally “immovable mind”)

Source: Wikipedia